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Men and Women from Robert Browning

A Lovers' Quarrel

I

Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were gray.

II

Runnels, which rillets swell,
Must be dancing down the dell
With a foamy head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.

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poem by Robert Browning from Men and Women (1855)Report problemRelated quotes
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How It Strikes a Contemporary

I only knew one poet in my life:
And this, or something like it, was his way.

You saw go up and down Valladolid,
A man of mark, to know next time you saw.
His very serviceable suit of black
Was courtly once and conscientious still,
And many might have worn it, though none did:
The cloak, that somewhat shone and showed the threads,
Had purpose, and the ruff, significance.
He walked and tapped the pavement with his cane, 10
Scenting the world, looking it full in face,
An old dog, bald and blindish, at his heels.
They turned up, now, the alley by the church,
That leads nowhither; now, they breathed themselves
On the main promenade just at the wrong time:
You'd come upon his scrutinizing hat
Making a peaked shade blacker than itself
Against the single window spared some house
Intact yet with its mouldered Moorish work—

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A Grammarian's Funeral

Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! Yonder sparkle is the citadel's
Circling its summit.

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Any Wife to Any Husband

I

My love, this is the bitterest, that thou
Who art all truth, and who dost love me now
As thine eyes say, as thy voice breaks to say—
Shouldst love so truly, and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay.

II

I have but to be by thee, and thy hand
Will never let mine go, nor heart withstand
The beating of my heart to reach its place.
When shall I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.

III

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Master Hugues of Saxe-Gotha

I

Hist, but a word, fair and soft!
Forth and be judged, Master Hugues!
Answer the question I've put you so oft:
What do you mean by your mountainous fugues?
See, we're alone in the loft,—

II

I, the poor organist here,
Hugues, the composer of note,
Dead though, and done with, this many a year:
Let's have a colloquy, something to quote,
Make the world prick up its ear!

III

See, the church empties apace:
Fast they extinguish the lights.

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One Word More

To E. B. B.

I

There they are, my fifty men and women
Naming me the fifty poems finished!
Take them, Love, the book and me together:
Where the heart lies, let the brain lie also.

II

Rafael made a century of sonnets,
Made and wrote them in a certain volume
Dinted with the silver-pointed pencil
Else he only used to draw Madonnas:
These, the world might view—but one, the volume.
Who that one, you ask? Your heart instructs you.
Did she live and love it all her life-time?
Did she drop, his lady of the sonnets,
Die, and let it drop beside her pillow

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Childe Roland to the Dark Tower Came

I.

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee that pursed and scored
Its edge, at one more victim gained thereby.

II.

What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare,

III.

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The Statue and the Bust

There's a palace in Florence, the world knows well,
And a statue watches it from the square,
And this story of both do our townsmen tell.

Ages ago, a lady there,
At the farthest window facing the East,
Asked, "Who rides by with the royal air?"

The bridesmaids' prattle around her ceased;
She leaned forth, one on either hand;
They saw how the blush of the bride increased—

They felt by its beats her heart expand—
As one at each ear and both in a breath
Whispered, "The Great-Duke Ferdinand."

That self-same instant, underneath,
The Duke rode past in his idle way,
Empty and fine like a swordless sheath.

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By the Fire-side

I

How well I know what I mean to do
When the long dark Autumn evenings come:
And where, my soul, is thy pleasant hue?
With the music of all thy voices, dumb
In life's November too!

II

I shall be found by the fire, suppose,
O'er a great wise book as beseemeth age,
While the shutters flap as the cross-wind blows
And I turn the page, and I turn the page,
Not verse now, only prose!

III

Till the young ones whisper, finger on lip,
"There he is at it, deep in Greek:

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Old Pictures in Florence

I

The morn when first it thunders in March,
The eel in the pond gives a leap, they say:
As I leaned and looked over the aloed arch
Of the villa-gate this warm March day,

No flash snapped, no dumb thunder rolled
In the valley beneath where, white and wide
And washed by the morning water-gold,
Florence lay out on the mountain-side.

II

River and bridge and street and square
Lay mine, as much at my beck and call,
Through the live translucent bath of air,
As the sights in a magic crystal ball.
And of all I saw and of all I praised,
The most to praise and the best to see

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